Granit PK-Bowl by Poul Kjærholm. New realese.

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SCULPTURAL DESIGN

Produced in limited quantities of only 300 a year, each bowl is numbered on its base. Be it used as a bowl, ashtray or decoration, it is testament to Kjærholm’s philosophy of “making form a part of function” and offering a timeless work of art to be appreciated by generations to come. In 1963, Poul Kjærholm designed the Fredericia Town Hall and created PK-600, a large, 250kg black marble bowl. This form, part sculpture, part functional object, was welcomed with remarkable public success. In response, Kjærholm designed its offspring, the PK-Bowl, so that everybody could enjoy it as a part of theirown household. Made of granite, the PK-Bowl is a stark contrast between square and round as well as the smooth inside and rough outside symbolizes the contrast between the feminine and masculine.

Year 1963
Dimensions 15 x 15 x 7 cm
Material Black granite bowl
Style Classique
Neuf
Origin denmark
Fournisseur Architectmade

Poul Kjearholm

Denmark (1929-1980)

 

Architect Poul Kjærholm finished his training as a cabinetmaker in 1949 and continued his education at the Danish School of Arts and Crafts’ Furniture School, graduating in 1952. At the same time he sat in on lectures at The Royal Danish Academy of Fine Arts’ School of Architecture. He first taught at The Danish School of Arts and Crafts and then at The Royal Danish Academy of Fine Arts’ School of Architecture, where he took over Ole

Wanscher’s professorate in 1976. Poul Kjærholm was inspired by the international functionalism and its minimalist steel tube furniture, but he did not imitate it. He elaborated on it and developed it until he had created independent furniture in a personal style. The starting point was the particular qualities of the steel; the aim was that the shape of the object should reflect the material it was made from.

This started with Kjærholm’s final examination project from The Danish School of Arts and Crafts, the Flagline chair (PK25), where each side consists of a piece of sliced spring steel, which has been bent to form both legs and armrests. A few years later he had re-designed PK25 and created a new recliner (PK22) consisting of a few steel components, which had been joined with Allen screws (RP00219). This made it easier to create clear and readable constructions, where even the joints with Allen screws were used decoratively. The steel was matt polished to avoid reflections from the light. PK22 was the first chair in a series of steel tube furniture based on the same construction scheme. A good example is the classically beautiful armchair PK11, the serene Tulip chair PK9 (RP00221) and the elegant lounger PK24 (RP00224). It was not just the furniture that had to be beautiful, the individual parts had to be so too. Kjærholm demonstrated this by joining several identical construction elements together into large sculptures at his exhibitions. Kjærholm also experimented with wood furniture and created the pivotal shell chair of moulded veneer PK0 (RP01481) and the armchair PK15 made from steambent wood.

With his sculptural steel furniture, Poul Kjærholm created his own style of furniture characterized by simple and serene constructions, which also functioned on the purely aesthetic level. One might say that Poul Kjærholm was a pioneer of steel furniture in the same way as Hans J. Wegner was a pioneer of wooden furniture.